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〖避席畏聞文字獄,著書都為稻糧謀〗
2008/1/12

☈Canon In D Sheet Music

                                         
 
Canon In D Sheet Music
also known as Kanon in D Dur, Pachelbel's Canon in D Major, Kanon und Gigue in D-Dur für drei Violinen und Basso Continuo, Cannon in D Sheet Music
Artist and Writer: Johann Christoph Pachelbel

Pachelbel's Canon (a. k. a. Canon in D and Canon in D major) is Johann Pachelbel’s most famous piece. Its full German title is “Kanon und Gigue in D-Dur für drei Violinen und Basso Continuo”. The piece is not strictly speaking a Canon (as the opening bass line is not strictly copied) but a passacaglia. The piece consists of a two bar (eight note) bas line, which is repeated over and over. In a string quartet setting this part would be played by the cellist. The piece is therefore not the most popular piece amongst cellists. Unfortunately for them Pachelbel's Canon in D is one of the most requested wedding tunes. Strangely enough the work was widely unknown until the 1970s, when a recording by Stuttgart Chamber Orchestra is thought to have made it famous. The bass line and harmony of Pachelbel's Canon in D are so appealing that it can be found - either by imitation or accidentally - in hundreds of other pieces, including: The Streets of London, All Together Now, Don’t Look Back In Anger and Jolly Old St Nicholas.

 Level 3.5 is very close to the original.
 Level 3 does not have the tricky semiquavers of the middle section.
 Level 2.5 does not have the octaves in the left hand of the middle section (you can hear the difference in the playback).
 Level 2 is once again shorter by one section and the left hand consists of single notes throughout.
 Level 1.5 is in the easier key of C major, and the melody does not use the quavers of the previous Levels.

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☈喜歡

常常有一種“喜歡”留在心頭,喜歡咖啡在舌尖喉際回繞,喜歡一個人與音樂談心分享作者的情結,喜歡看咖啡在透明的壺內沸騰。喜歡一個人風馳電掣霧里云來...
喜歡,是的,即使在午夜,只是自己一個人,也仍然喜歡用最小的音量放一段音樂來體味一種惆悵,或者,清醒地聽著夜雨打在屋檐上,想一個相處時平平淡淡的女孩兒,如何使你激動;蕩氣迴腸。
“閒來一試七弦琴,此曲少知音”,有一回在燈下看一個朋友彈琴,纖纖務弄扶于黑白之間雲卷雲舒,忽然細細看她,真是這樣安靜的人,卻有種真趣相逼,使人要在昏黃的燈下恍惚起來。
是的,眼前的一切我喜歡,喜歡生命是這樣真實;身體是這樣溫暖,有骨肉的感覺去走,去看,去,去給與和接受。
真的喜歡,喜歡終於和生命對視的這樣清醒和無奈。
今生來世永遠都喜歡很巧或不巧地撞見了迎面而來的那個人和那個事了。
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☈The Chinese Piano(named guzheng)

The Chinese Piano playing styles and performers
There are many techniques used in the playing of the guzheng, including basic plucking actions (right or both hands) at the right portion and pressing actions at the left portion (by the left hand to produce pitch ornamentations and vibrato) as well as tremolo (right hand). These techniques of playing the guzheng can create sounds that can evoke the sense of a cascading waterfall, thunder and even the scenic countryside. Plucking is done mainly by the right hand with four plectra (picks) attached to the fingers. Advanced players may use picks attached to the fingers of both hands. Ancient picks were made of ivory and later also from tortoise shell.

The guzheng's pentatonic scale is tuned to Do, Re, Mi, So and La, but Fa and Ti can also be produced by pressing the strings to the left of the bridges. Well known pieces for the instrument include Yu Zhou Chang Wan (Singing at night on fishing boat), Gao Shan Liu Shui (High mountains flowing water) and Han Gong Qiu Yue (Han palace autumn moon).

Two broad playing styles (schools) can be identified as Northern and Southern, although many traditional regional styles still exist. The Northern styles is associated with Henan and Shandong while the Southern style is with the Chaozhou and Hakka regions of eastern Guangdong. Both Gao Shan Liu Shui (High mountains flowing water) and Han Gong Qiu Yue (Han palace autumn moon) are from the Shandong school, while Han ya xi shui (Winter Crows Playing in the Water) and Chu shui lian (Lotus Blossoms Emerging from the Water) are major pieces of the Chaozhou and Hakka repertories respectively. 
                                          
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